What to do and see in Vicenza, Veneto: The Best Things to do Good for Big Groups

Private tours of the palladian town of Vicenza and the Venetian villas in the surroundings of Venice. Suitable for families or groups and perfectly tailor made: you can decide exactly where to go and what to see, and we'll plan your visit in every single detail. Vicenza and its territory are beautiful places, with a great historical and cultural heritage. Put yourselves in our hands to discover it

Andrea Palladio’s last work and masterpiece, the Olympic Theatre was commissioned in February 1580 by the Accademia Olimpica, a society of mixed social classes founded in Vicenza in 1555 for cultural and scientific purposes and to which Palladio himself belonged. Construction began in May 1580, but Palladio died suddenly on 19 August of that year so did not see its completion. After various, complex delays, the theatre was completed five years later and opened on 3 March 1585 with the memorable staging of Sophocles’ Oedipus Tyrannus. The theatre is reached by way of the odeon and anti-odeon, two large rooms designed by Vincenzo Scamozzi and decorated respectively with frescoes by Francesco Maffei portraying divinities and allegorical figures (c. 1637) and a monochrome frieze of considerable documentary interest (c. 1595). This depicts theatrical productions presented by the Accademia before construction of the Olimpic Theatre (Amor costante, Sophonisba) and shows or events held in the new theatre (Oedipus the King, the diplomatic mission of Japanese envoys). Palladio designed a monumental scenae frons within an enclosed space intended to simulate classical theatres in the open air. It is flanked by two wings or stage doors and a semi-elliptical cavea with thirteen tiers, ending in a columned exedra at the top, partly open and partly with niches in the wall. Statues of the academicians who commissioned the theatre, dressed in classical costume, occupy the niches and plinths of the structure. A series of splendid bas reliefs showing stories of Hercules by Ruggero Bascape occupies the highest row. Wooden perspective scenery of the streets of Thebes runs back from the three openings in the scenea frons. This was designed by Scamozzi for the opening performance of Oedipus Tyrannus and has remained as a permanent feature

Ambrosini Autoservizi is a company focussing on the quality of services offered and on its passengers.With a view to upholding an image that is unfailingly consistent with the public's demands, it employs the best personnel available. Ambrosini Autoservizi has a portfolio of prestigious international customers, employing the coach hire services for Palladian and Renaissance itineraries.

During the classes we prepare the food, taste a local wine and a variety of cheeses. To complete the class, we will be eating together like an Italian family! It's not just a class, it's a great way to socialize and have delicious food.

Hi, I'm Alex, owner and founder of El Sendero I am a licensed tour & outdoor guide and I give private and custom tours around the Veneto region, the mainland of Venice: Wine tours, Sightseeing Tours in the Dolomites and active adventures to enjoy the outdoors, meet the locals, taste great wines and food! Veneto region is full of great places to see and things to do: The Prosecco hills, The Dolomites, The Asiago cheese mountains, The Valpolicella wine, the Garda lake... If you want to explore more, immerse into local life and get away of the crowds just get in touch! Having a tour with me is like having a tour with a knowledgeable friend showing you around and always ready to listen to your desires. Enjoy a different day and bring back home long lasting memories!

The Palladian Basilica is a public building facing onto the Piazza dei Signori. Its name is linked to Andrea Palladio, who redesigned it, adding the famous loggias with serliana openings in white marble to the existing Gothic building. The building on which Palladio worked was the Palazzo della Ragione, built in Gothic style in the mid-fifteenth century. The upper floor is entirely taken up by an enormous hall with no intermediate supports, where the Council of the Four Hundred met. The copper-lined, inverted ship’s-hull roof was inspired by that of the Palazzo della Ragione in Padua. The Gothic facade was originally clad with diamonds of red and straw yellow Verona marble, which are still visible behind Palladio’s addition. A loggia surrounding the building was commissioned after its completion, but continually delayed due to various structural difficulties and the nature of the ground beneath. At the beginning of the sixteenth century the double order of porticoes and loggias, though not complete, collapsed. The Council called on many leading architects of the time to resolve the difficult problem of its reconstruction. They included Jacopo Sansovino, Sebastiano Serlio and Giulio Romano. The project was awarded to Andrea Palladio (1508-80) in 1549, following a competition, and he worked on it for the rest of his life. It was completed posthumously in 1614. The reconstructed building was called a basilica by Palladio himself, who had been inspired by the model of the Roman basilica for civic use. The building has three independent exhibition spaces that are used to host architecture and art exhibitions of international renown.

The Palazzo Chiericati has been the historic home of the Civic Museum since 1855 and now houses the city's collections of paintings, sculptures and applied arts from the thirteenth to the twentieth centuries. A masterpiece of Palladio's early maturity (1550), the building not only has decorations from that period but also holds important documents on Vicenza's art history. The Museum of Palazzo Chiericati reopened the Palladian wing on December 2013, after the restoration works. On the main floor, the visitor can enjoy the works of the sixteenth and seventeenth centuries, contemporary to the construction of the building. The attic hosts the Bequest of Marquis Giuseppe Roi: his personal collection of paintings, drawings and engravings from the fifteenth to the twentieth century, set in a charming display of house-museum. On the ground floor the visitor can admire, in a temporary exhibition, a selection of masterpieces of the collection not currently on display: Paolo Veneziano, Memling, Montagna, Fogolino, Sansovino, Tintoretto, Maffei and Pittoni. In the basement are located the works donated to the museum by the sculptor Nereo Quagliato.