Top 8 Architectural Buildings in Newport, Rhode Island (RI)

Marble House was built between 1888 and 1892 for Mr. and Mrs. William K. Vanderbilt. It was a summer house, or "cottage", as Newporters called them in remembrance of the modest houses of the early 19th century. But Marble House was much more; it was a social and architectural landmark that set the pace for Newport's subsequent transformation from a quiet summer colony of wooden houses to the legendary resort of opulent stone palaces. Mr. Vanderbilt was the grandson of Commodore Cornelius Vanderbilt, who established the family's fortune in steamships and the New York Central Railroad. His older brother was Cornelius II, who built The Breakers. Alva Vanderbilt was a leading hostess in Newport society, and envisioned Marble House as her "temple to the arts" in America. The house was designed by the architect Richard Morris Hunt, inspired by the Petit Trianon at Versailles. The cost of the house was reported in contemporary press accounts to be $11 million, of which $7 million was spent on 500,000 cubic feet of marble. Upon its completion, Mr. Vanderbilt gave the house to his wife as a 39th birthday present.

The Isaac Bell House is one of the best surviving examples of shingle style architecture in the country. The house was designed by the firm of McKim, Mead and White in 1883 for Isaac Bell, a wealthy cotton broker and investor. After passing through a succession of owners, the Isaac Bell House was purchased by the Preservation Society in 1996, and is today designated a National Historic Landmark. The Isaac Bell House was remarkably innovative when it appeared in 1883. It is a combination of Old English and European architecture with colonial American and exotic details, such as a Japanese-inspired open floor plan and bamboo-style porch columns.

The Elms was the summer residence of Mr. and Mrs. Edward Julius Berwind of Philadelphia and New York. Mr. Berwind made his fortune in the coal industry. In 1898, the Berwinds engaged Philadelphia architect Horace Trumbauer to design a house modeled after the mid-18th century French chateau d'Asnieres (c.1750) outside Paris. Construction of The Elms was completed in 1901 at a cost reported at approximately $1.4 million. The interiors and furnishings were designed by Allard and Sons of Paris and were the setting for the Berwinds' collection of Renaissance ceramics, 18th century French and Venetian paintings, and Oriental jades.

Kingscote is a landmark of the Gothic Revival style in American architecture. Its appearance in Newport marked the beginning of the "cottage boom" that would distinguish the town as a veritable laboratory for the design of picturesque houses throughout the 19th century. At the outbreak of the Civil War, the Jones family left Newport never to return, and the house was sold in 1864 to China Trade merchant William Henry King. His nephew David took over the house in 1876, and several years later decided to enlarge Kingscote. He engaged the firm of McKim, Mead and White to make the renovations, including the new dining room. The room combines Colonial American details with exotic ornament - reflecting the architects' interest in combining eastern and western motifs. The innovative use of materials was also important, such as cork tiles as a covering for the wall frieze and ceiling, and an early installation of opalescent glass bricks by Louis Comfort Tiffany. The house remained in the King family until 1972, when the last descendant left it to the Preservation Society. Today, Kingscote is a National Historic Landmark. It is a rare example of a Gothic Revival house and landscape setting preserved intact with original family collections.

Hunter House is one of the finest examples of Georgian Colonial architecture from Newport's "golden age" in the mid-18th century.The north half of Hunter House was constructed between 1748 and 1754 by Jonathon Nichols, Jr., a prosperous merchant and colonial deputy. After his death in 1756, the property was sold to Colonel Joseph Wanton, Jr., who was also a deputy governor of the colony and a merchant. He enlarged the house by adding a south wing and a second chimney, transforming the building into a formal Georgian mansion with a large central hall. Colonel Wanton also ordered the graining, or "spreckling," of the pine paneling in several rooms to resemble walnut and rosewood. During the American Revolution, Colonel Wanton fled from Newport due to his Loyalist sympathies. His house was used as the headquarters of Admiral de Ternay, commander of the French fleet, when French forces occupied Newport in 1780. After the war, Colonel Wanton's house was acquired by William Hunter, a U. S. Senator and President Andrew Jackson's charge d'affaires to Brazil. The Hunters sold the house in the mid-1860s, and it passed through a series of owners until the mid-1940s. Concerned that the fine interiors of the house would be purchased and removed from the building, a small group of concerned citizens led by Mrs. George Henry Warren initiated a preservation effort, purchasing the house in 1945 and forming The Preservation Society of Newport County. The Preservation Society restored Hunter House to the era of Colonel Wanton (1757 to 1779). Today, the house exhibits examples of the finest achievements in the arts and crafts of 18th century Newport. The collections include furniture by the Townsend-Goddard family, premier cabinetmakers of the colonial era who worked in the neighborhood of Hunter House. Newport pewter and paintings by Cosmo Alexander, Gilbert Stuart and Samuel King are also on display. Hunter House is a National Historic Landmark.