10 Things to do Good for a Rainy Day in Vicenza That You Shouldn't Miss

Andrea Palladio’s last work and masterpiece, the Olympic Theatre was commissioned in February 1580 by the Accademia Olimpica, a society of mixed social classes founded in Vicenza in 1555 for cultural and scientific purposes and to which Palladio himself belonged. Construction began in May 1580, but Palladio died suddenly on 19 August of that year so did not see its completion. After various, complex delays, the theatre was completed five years later and opened on 3 March 1585 with the memorable staging of Sophocles’ Oedipus Tyrannus. The theatre is reached by way of the odeon and anti-odeon, two large rooms designed by Vincenzo Scamozzi and decorated respectively with frescoes by Francesco Maffei portraying divinities and allegorical figures (c. 1637) and a monochrome frieze of considerable documentary interest (c. 1595). This depicts theatrical productions presented by the Accademia before construction of the Olimpic Theatre (Amor costante, Sophonisba) and shows or events held in the new theatre (Oedipus the King, the diplomatic mission of Japanese envoys). Palladio designed a monumental scenae frons within an enclosed space intended to simulate classical theatres in the open air. It is flanked by two wings or stage doors and a semi-elliptical cavea with thirteen tiers, ending in a columned exedra at the top, partly open and partly with niches in the wall. Statues of the academicians who commissioned the theatre, dressed in classical costume, occupy the niches and plinths of the structure. A series of splendid bas reliefs showing stories of Hercules by Ruggero Bascape occupies the highest row. Wooden perspective scenery of the streets of Thebes runs back from the three openings in the scenea frons. This was designed by Scamozzi for the opening performance of Oedipus Tyrannus and has remained as a permanent feature

The mission of the Fondazione Coppola is to promote the visual languages of contemporary art, by focusing not only on acclaimed artists, but above all on emerging new talent. In 2018 Antonio Coppola, an entrepreneur, collector and art patron, established this foundation in the northern Italian city of Vicenza. The unique location of the Fondazione Coppola is the medieval tower of Porta Castello, known as the Torrione. Thanks to the initiatives and activities of the Fondazione Coppola the Torrione can now be visited by the public. Its recently restored rooms host exhibitions, events, activities and workshops dedicated to contemporary art, and are a place for the creation, study and criticism of visual art. Aiming to appeal to experts and connoisseurs, as well as enthusiastic young people, the Torrione will no doubt be a pole of attraction for art lovers for many generations to come.

The Palazzo Chiericati has been the historic home of the Civic Museum since 1855 and now houses the city's collections of paintings, sculptures and applied arts from the thirteenth to the twentieth centuries. A masterpiece of Palladio's early maturity (1550), the building not only has decorations from that period but also holds important documents on Vicenza's art history. The Museum of Palazzo Chiericati reopened the Palladian wing on December 2013, after the restoration works. On the main floor, the visitor can enjoy the works of the sixteenth and seventeenth centuries, contemporary to the construction of the building. The attic hosts the Bequest of Marquis Giuseppe Roi: his personal collection of paintings, drawings and engravings from the fifteenth to the twentieth century, set in a charming display of house-museum. On the ground floor the visitor can admire, in a temporary exhibition, a selection of masterpieces of the collection not currently on display: Paolo Veneziano, Memling, Montagna, Fogolino, Sansovino, Tintoretto, Maffei and Pittoni. In the basement are located the works donated to the museum by the sculptor Nereo Quagliato.

Venetian villa with superb frescoes of the most important Venetian painters of 18th century: Giambattista and Giandomenico Tiepolo. Still owned and inhabited by the Valmarana family, who bought it back in 1720. Open to the public for visits 7 days a week and available for events such as weddings, conferences, gala dinners, photo shooting, business presentations, concerts, representations, etc