Location: Province of Padua
Top Things to do in Province of Padua
10 Things to do in Province of Padua That You Shouldn't Miss
The Province of Padua (Provincia di Padova) is a province in the Veneto region of Italy. Its capital is the city of Padua.
Restaurants in Province of Padua
1. Scrovegni Chapel
Overall Ratings
5.0 based on 7,170 reviews
Reviewed By LeonaHtheQueen - Seattle, United States
This is one of the most incredibly places in the world. Giotto's frescoes have been lovingly preserved. You have to wait in an air-conditioned waiting room where they show an excellent little film with English subtitles, telling you about the history of the chapel and all the frescoes in it. Then you go in and they let you stay for about 20 minutes. Each one of the fresco pictures tells the most moving and beautiful, and human, story. He influenced all of future European art with the detail, the emotion, the humanity. Your ticket gets you into the rest of the museums too. Absolutely one of the highlights of my entire life to see this place in person.
2. Castello di Monselice
Overall Ratings
4.5 based on 465 reviews
3. Mercato tradizionale
4. Basilica of St. Anthony
Overall Ratings
4.5 based on 6,715 reviews
Basilica where the apostle St. Mark is buried and which contains the largest bronze works of Donatello.
Reviewed By periandro - Luxembourg City, Luxembourg
That imposing church is with no doubt the most important monument in the city of Padova. It started being built in 1232, its main part being completed towards the end of the thirteenth century. It's dedicated to St. Anthony of Padua whose name before becoming a Franciscan monk was Ferdinand. He was born in Lisbon and after having lived only about 36 years died in Padova on June 13th 1231. Already seen from the other end of the Via Beato Luca Belludi, and from even farther, in Prato della Valle, one is astounded at the sight of such a magnificent edifice. Upon approaching that world important treasure walking along the mentioned street the thrill one gets out of the thought about the marvels he is going to behold cannot be easily described. A mixture of styles stands out when observing with interest different parts and elements of that temple. As regards such a mixture, particularly the romanesque outer structure obviously contrasting with the purely gothic style of the church interior ought to be outlined. Besides, some baroque and renaissance chapels cound among those of the church. These different styles combined together constitutes a characteristic of that Basilica which distinguishes it from other medieval places of worship. Upon entering the temple one is startled by the grandiose austerity of its inner part which again diverges considerably from the picturesque character of the exterior. Paying again attention to the outer part of the Basilica some architectural features can be admired from the large square where it stands: the domes, the graceful belfry towers, the minarets and the large and beautiful façade. On the latter's lower level there are five pointed arches and above them there is a covered gallery and further above a balustrade supported by a structure formed by manifold arches in the same style as the lower level five ones but much smaller in size resting on relatively thin pillars with Corynthian capitals standing on the said gallery. Outstanding are the bronze doors by C. Boito. The nice painting on the main door pediment is a copy of a work by Mantegna. The statue of St Anthony above the pediment in a niche is also a copy. The original dating back from the 14th century is a sculpture by Reynauldin of Gascony. The stated large square, Piazza del Santo, is now dominated by Donatello's bronze statue of Erasmus Gattamelata of Narni. It's a superb statue. Along the square concerned there are two chapels, both of them with very nice frescoes in its interior: the oratoryof St. George and the School of the Saint. The latter is of a great interest since three of the the frescoes it contains showing scenes from St. Anthony's life are early works by Tiziano. Among these, that called Saint Anthony makes a New-born Baby speak is a precious artwork. Again as regards the interior, once inside the form of the Basilica being that of a Lating cross is quite evident despite the semi-dark atmosphere percieved in the internal part of the building. It's a three-aisle church, the central nave being higher that the side aisles until the crosspiece of the Latin cross. It's a cross-vault church. At first sight one is impressed at the view offered by the combination of art, light, History and fervour. Looking above the central portal it's possible to observe a large fresco by Pietro Annigoni dominating the inside of the façade. It depicts St. Anthony preaching from the Walnut Tree. On the first column on the left hand side looking in the direction of the high altar a fresco painted by Stefano da Ferrara: “Madonna and Child” is worth being observed particularly because of the pleasing and attractive traits of the two main personages. The side chapel of St. Anthony is really spectacular. It's a splendid renaissance work whose architect has not been established with a complete certainty. It's thought that it was Tullio Lombardo. It's a very well embellished chapel thanks to the works of some of the greatest sculptors of the time, which stirs up the admiration of any sensitive person. On the walls there are nine marble reliefs showing scenes from the life of St. Anthony and some of his miracles. In the centre there is the marvellous altar-tomb of St. Anthony, which is a splendid work by Tiziano Aspetti dating back to 1594. The Basilica main altar and its chancel are separated from the transept by an elegant communion rail adorned with four beautiful statues by Tiziano Aspetti. The Donatello's bronze masterpieces finding themselves in that part of the church are the most famous works of art in that temple. Among them the Crucifix and the figure of St. Justina are the most outstanding sculptures there. Admirable are the pictorial decorations of the sides and the vaults over the chancel and the apse especially the important work by the Bolognese artist A. Casanova. The chapel of the Madonna Mora has a beautiful gothic altar where the statue of the Blessed Virgin by Renauldin Puydarient has a majestic character. The walls are covered with nice frescoes from the 13th and the 14th centuries. The chapel of the Blessed Luke Belludi, a disciple of St. Anthony, is dazzling on account of the elaborate wall fresco scheme which is a work by Giusto de' Menabuoi (1382). The central fresco paninting depicts Our Lady Enthroned among Franciscans Saints. There are also some radial chapels which extend from the apse. They were all decorated towards the end of the 19th and the beginning of the 20th centuries except the central chapel. The most interesting of those chapels is perhaps that of Saint Joseph with its oleographic frescoes by Ermolao Paoletti (1896). The Chapel of Blessings is also susceptible to admiration because of its large frescoes by Pietro Annigoni (1981). Among the said radial chapels, the Chapel of the Relics deserves a special consideration. It dates back to the end of the 17th century and was made in a sumptuous baroque style under Filippo Parodi's design. It's a wonderful chapel at the sight of which one is charmed with so much beauty and art such as that which may be observed in the six statues standing on the balustrade before the altar. There are three niches in which reliquaries, chalices as well as ex voto and other precious objects are kept. The chapel also houses St. Anthony's habit and the coffin in which his body was laid. The chapel of St. James, opposite to that of St. Anthony, is a real masterpiece of the 14th century Italian art. The painting on the rear wall is an outstanding marvel. It's divided in three parts and depicts the Crucifixion. The gothic style chapel of the Blessed Sacrament is adorned with an abundance of bronze, marble and works of art which altogether provide it with a great beauty making one be transposed to a world of enchantment. That chapel houses the tomb of Gattamelata and that of his son John Anthony. There are five cloisters on one side of the Basilica: the Paradise Cloister, the Novitiate Cloister, the Magnolia Cloister, the General Cloister and the Museum (or Blessed Luke Belludi) Cloister. It's a pleasure as well as a relaxing exercice to amble under the arcades of any of those cloisters while contemplating some sublime parts of the edifice architectural structure as well as the lawn and gardens in the middle. The Magnolia Cloister bears that name on account of the gorgeous magnolia tree in the center of it. The beholding of that powerful tree is certainly an attitute enriching one's mind. I goes without saying therefore that the Basilica of St. Anthony of Padua must imperatively be visited while in that city, if not in the first place at least on the first day of the stay in that city. The visit should be done with no limit whatsoever as to the time to be devoted to it. It sould last as long as necessary in order to have the possibility to observe every single detail with as much attention as possible.
5. Santuario Madonna della Salute Monteortone
Overall Ratings
4.5 based on 378 reviews
6. Monastero Di San Daniele
7. Terme Euganee
8. Parco Urbano Termale
9. Casa delle Farfalle e Bosco delle Fate
Overall Ratings
4.0 based on 654 reviews
The first Italian Butterfly House, is one of the more visited attraction of the Province of Padova. The Living Butterfy exhibition is one of the first realized in the world and was opened in 1988. It includes about 1,500 square meters covered with various living exhibitions (the Eden butterfly gardens, Amazon, Indoaustralian) which include many free butterflies in their natural habitat and many other species of animals and plants from many tropical countries. In addition to this, during holidays, or by appointment for groups and schools, are active many interactive workshops and fun activities in the Fairy Wood (6000 square meters on a mythological nature trail). The Butterfly House is part of the circuit MicroMegaMondo of Butterfly Arc, which also includes the Great Exploratorium Esapolis, the Living Museum of the Province of Padua. The MicroMegaMondo of Butterfly Arc has been licensed by the Zoological Garden, issued by the Ministries of Environment, Agriculture and Health, and is engaged in conservation projects, education and scientific research and offers to young people and students, internship opportunities and traineeships. The park also offers picnic areas, ample free parking, accessibility for the disabled and an interesting themed shop. The facility is located in the center of Montegrotto Terme (one of the largest spas across Europe with a great deal curative thermal cares, playful and well-being), close to an important archaeological site from Roman times and near the Regional Park of the Euganean Hills.
